FotoEvidence was founded in 2010 to continue the tradition of using photography to draw attention to human rights violations, injustice, oppression and assaults on human dignity wherever they may occur. Photographs have not only changed people’s perception but, in some cases, altered the course of history.
Every year, the FotoEvidence Book Award recognizes one photographer whose work demonstrates courage and commitment in the pursuit of social justice.The selected project is published as part of a FotoEvidence series of photo books dedicated to the work of photographers, whose commitment and courage deliver painful truths, creating awareness and intolerance towards violations of human dignity.
Each year, the FotoEvidence Book Award winner and four ﬁnalists are honored with an exhibit in New York City.
Recipients of the FotoEvidence Book Award include: Javier Arceniilas for “Sicarios: Latin American Assassins”, Alex Masi for “Bhopal: Second Disaster,” Robin Hammond for “Condemned: Mental Health in African Countries in Crisis”, Majid Saeedi for “Life in War", Marcus Bleasdale for "The Unravelling" ,Daniella Zalcman for "Signs of Your Identity".
Finalists for the FotoEvidence Book Award include: Massimo Berruti, Valerio Bispuri, Paula Bronstein, Fabio Bucciarelli, William Daniels, Maxim Dondyuk, Michelle Frankfurter, Tanya Habjouqa , Jon Lowenstein, Fernando Moreles, Boniface Mwangi, Joao Pina, Andrea Star Reese, Vlad Sokhin, Lizzie Sadin, Lisa Wiltse, Mario Cruz, Hossein Fatemi, Ingetje Tadros, Narciso Contreras, Jan Grarup, Amnon Gutman, Alessio Romenzi and Fabian Muir.
Members of the FotoEvidence Book Award jury from 2010- 2015 include: Christophe Agou, Lys Anzia, Svetlana Bachevanova. Dimitri Beck, Annie Boulat, Ed Kashi, Olivier Laurent, Jean-Francois Leroy, Greg Marinovich, Regina Monfort, Mark Murrmann, Cheryl Newman, Andre Polikanov„ Reza, Joseph Rodriguez, Marcel Saba, Stephen Shames, Maggie Steber, David Stuart, Mikko Takkunen, Robert Nickelsberg, Alison Stieven-Taylor , Kelli Grant, Nina Berman, Elisabeth Biondi, James Colton,Eli Reed, Molly Roberts and John Stanmeyer.
In addition to publishing the winner of the FotoEvidence Book Award, FotoEvidence has worked with several ﬁnalists to crowd fund the publication of a book of their work. As a result of these collaborations, FotoEvidence has published Crying Meri: Violence Against Women in Papua New Guinea by Vlad Sokhin, Urban Cave by Andrea Star Reese, Destino by Michelle Frankfurter and Occupied Pleasures by Tanya Habjouqa, Endurance by Omar Havana, This is My Country by Ingetje Tadros, The Dream by Fabio Bucciarelli and Talibes Modern Day Slaves by Mario Cruz.
FotoEvidence has also pioneered in the publication of digital photo books. When FotoEvidence published Bronx Boys by Stephen Shames, Paul Moakley at TIME Magazine called it, “one of the ﬁrst true digital photo-monographs that can be downloaded to your computer.” (Time.com, August 16, 2011). Since then FotoEvidence has published a series of digital photo books available through the iTunes bookstore.
- The Dream by Fabio Bucciarelli is selected among the Best Photobooks of the Year 2016 by TIME magazine.
- Signs of Your Identity by Daniella Zalcman among the Most Stunning Photo Books of 2016 by Mother Jones.
- Signs of Your Identity by Daniella Zalcmanis selected as one of the Best Books of 2016 by Photo-eye.
- The Unravelling by Marcus Bleasdale was selected as one of the best books of the 2015 by Smithsonian magazine and Mother Jones magazine.
- Occupied Pleasures was selected as one of the best books of 2014 by TIME magazine.
- Destino by Michelle Frankfurter was included among the best photo books of the year by Vogue Italy and Photo-eye in 2014.
- Sicarios: Latin American Assassins by Javier Arcenillas was selected as one of the best books of the year by Photo-eye in 2012.
- Black Tsunami by James Whitlow Delano received the PX3 Bronze Prize for digital photo books in 2012.
Crying Meri by Vlad Sokhin represents a rare triumph of social photography. After publication by FotoEvidence photographs from Crying Meri were adpted for public education campaigns by the Untied Nations, Amnesty International and several othe NGOs working in Papua New Guinea. International attention and a public outcry by concerned citizens brought a response by the government of PNG, which passed the nation's first law prohibiting domestic violence in 2013 and, late last year, eliminated a law that forgave violence against "sorcerers."
The 2016 FotoEvidence Book Award finalist Mario Cruz has also seen his work Talibes Modern Day Slaves provoke and immediate response from the government of Senegal. Cruz gained rare access to false Quaranic schools (daaras) in Senegal where a valid educational tradition has been corrupted, leaving boys in the hands of exploitative teachers (mahouds) who forced them to beg on the street eight hours a day to support the teacher. Cruz captured powerful and disturbing photographs of the lives of young boys subjected to slave-like conditions.
We published Talibes Modern Day Slaves on our website and he received recognition from World Press Photo, who exhibited his work in their traveling exhibit. In June, shortly after “Talibes Modern Day Slaves” came off the press, the President of Senegal, Macky Sali, ordered the registration of all daaras in Senegal, and effort to distinguish legitimate schools from exploitative ones. He also order the police to identify and assist boys begging on the streets and to close the schools that sent them out to beg. The government also used Cruz’s photographs in a public education brochure alerting the public to the issue and encouraging them to report beggars and help identify illegitimate daaras.
The photographers and works published by FotoEVidence have been recognized with many other awards, including: multiple World Press Photo Awards, the W. Eugene Smith Grant in Humanistic photography, the Visa Pour ['Image- Remi Ochlik Award, the Robert R Kennedy Photojournalism Award, Picture of the Year International, the National Press Photographers Association Award, World Understanding Award, and the Magnum Foundation Emergency Fund grant.
who we are
Svetlana Bachevanova is a publisher of FotoEvidence and documentary photographer with interest in human rights that began while living under a communist dictatorship in her native Bulgaria. In 1989, after the fall of the regime, Svetlana join the first anticommunist newspaper "Demokratia" where she led the photo department. Seven years later she became the head of the photo department in the Bulgarian News Agency. Svetlana covered the transition to democracy in Bulgaria, Slovenia, Lithuania, the war in Kosovo and Bosnia, the separation of the Soviet Union, the revolution in Romania. In 2001 Svetlana moved to New York where she founded FotoEvidence to continue her life work of using photography to fight oppression and expose human rights violations. She seeks to help photographers who work to document and fight against human rights violation so the story of her country and friends will never happened again.
David Stuart is a sociologist with an interest in human rights that began as a teenager at the United Nations International School in New York. He was a founder of the Freelance Players Inc. an educational theater organization on whose board he served for more than 2S years. As the Executive Director of the Disarmament Action Network, he spent ten years working with dozens of organizations to mobilizie opposition to the militarization of US foreign policy and international affairs. He spent eight years with the Boston College Media Reseach and Action Project designing and analyzing research on the mass media and political discourse. He has managed political campaigns and worked as a consultant to social movement and non-profit organizations. He is a writer and photographer living in New York City.
Regina Monfort is a French-born photographer based in New York City. Her work focusing on issues pertaining to youth, cultural identity and social stigmas has been widely exhibited in the United States and abroad. From 1997 to 2002 Monfort was the New York based assistant to documentary film director Jean-Pierre Krief on Contacts: a collection of short films, based on an original idea by William Klein, which explores the work process of selected contemporary photographers. She has taught photography at CUNY/La Guardia Community College, Pratt Institute and the School of the Art Institute of Chicago. Since joining the FotoEvidence team, Monfort has served as photo editor for Alex Masi's Bhopal Second Disaster, Stephen Shames Bronx Boys, Robin Hammond's Condemned, Majid Saaedi's Life in War, Joseph Rodriguez Romania, Anahit Hayrapetyan's Princess to Slave. She co-edited Javier Arcenillas Sicarios: Latin American Assassins. "FotoEvidence offers me the special opportunity to help deeply engaged photographers, working in the humanistic tradition, assemble their long-term projects into enduring testimony in the form of a book. Over the last 30 years my interest in the preservation of photographic legacies has brought me to work with a number of archives. These organic experiences combined with a commitment to the depiction of truth in photojournalism continue to inform my work as editor."
Compiled built, and deployed in Islamabad, Nabeel has been field tested for over half a decade now with state of the art tools and technologies. His once lowly performance enjoyed rapid upgrades at National University, where he extended on his base OS to understand Software Engineering in particular and Computer Science in general. After beta testing in startup market, Nabeel found his way as technology consultant for over a year now where he plays active role in establishing enterprise applications. Now a days you would find him orchestrating development activities.
Digital Book Designer
Vanya is the FotoEvidence digital book designer. She is freelancing for other publishing houses including Egmont Press (National Geographic Books). In her own words Vanya is a workaholic, in love with her job and an Apple aficionada
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